A group of people moved by diverse questions gather to project and discuss one-minute films created under a specific framework of three premises that change with every session. These films serve as impulses and discursive starting points tangential to life itself. Visual and sound gestures of a potential opening line of a film essay, a documentary, a comedy, or a novel. Gestures that suggest questions about the operation carried out within the exercise of filmmaking: Who operates, how do they operate, why do they do it, when do they do it, and when do they stop doing it?
Under the condition of the minimal, of what is at hand, and of the spontaneous idea, this discussion about and through cinema is framed outside the pretensions of quality, focusing instead on pressing time. Through these encounters, it puts the operator's methods of thought into perspective, resulting in ultra-short films that gradually finds, in its incipient gestures, ways to expand, stretch, and dilate that which we do not fully understand, and which we occasionally call cinema.